Selected Reviews, Books, and Articles

  • Maine Sunday Telegram, review by Daniel Kany, September 15, 2013
  • Exhibition Essay by Martica Sawin, “Thomas Cornell: The Priority of Nature,” August 2013
  • The Bowdoin Orient, “Artist-in-Residence to Retire after Half-Century at Bowdoin,” by Peter Griesmer, April 27, 2012
  • The New York Times, review by Martha Schwendener, June 1, 2007
  • Paintings of Maine, edited by Carl Little, Downeast Books, 2006
  • The Imprint of Place, David P. Becker, Downeast Books, 2006
  • The New York Observer, in review by Hilton Kramer, July 11, 2005
  • Environment and History, Volume 9, No. 3, “Valuing Nature: A Set of papers Resulting From The Shipman Workshop,” article reviewed by Peter Coates, University of Bristol, UK, August 2003
  • The Bowdoin Orient, review by Jonathan L. Knapp, October 30, 1998
  • Maine Sunday Telegram, review by Ken Greenleaf, October 4, 1998
  • Maine Sunday Telegram, review by Philip Isaacson, May 29, 1994
  • The Times Record, review by Kim Cannon, May 26, 1994
  • The Christian Science Monitor, Melissa Madenski, August 17, 1993
  • Maine Sunday Telegram, review by Greg Gadberry, August 16, 1992
  • Maine Sunday Telegram, review by Greg Gadberry, July 7, 1991
  • Paintings of Maine, book by Carl Little, ©1990
  • Maine Art Now, book by Edgar Allen Beem, Dog Ear Press, ©1990
  • The Republican Journal and the Bucksport Free Press, reviews by Valerie Van Winkle; June 1990
  • Maine Sunday Telegram, review by Sherry Miller; May 27, 1990
  • Maine Times, review by Edgar Allen Beem; May 11, 1990
  • Art in America, review by Paul Smith, May 1990
  • Maine Sunday Telegram, review of Voiceprints by Mark Melnicove; February 18, 1990
  • Art-Talk, by Ruth Bass; January 1990
  • Arts & Antiques, review by Jean Nathan; December 1989
  • Maine Times, review by Edgar Allen Beem; November 3, 1989
  • Post-Modernism, The New Classicism in Art and Architecture, book by Charles Jencks, Rizzoli International Publications, Inc., ©1987
  • Maine Life Magazine, article by Muriel L. Hendrix; February-March 1987
  • Maine Sunday Telegram, review by Philip Isaacson; May 11, 1986
  • Drawing, The International Review, published by the Drawing Society, “The Symbolic Renewal” by Ronny H. Cohen; September-October 1982
  • Arts Magazine, review by George M. Tapley, Jr.; February 1983
  • Art Scribe, review by Robert Ayers, London; February 1982
  • Arts Magazine, review by Paul Smith; February 1982
  • The New York Times, review by Vivien Raynor; December 4, 1981
  • Dictionary of Contemporary Artists, Paul Cummings, ©1980
  • Art Monthly, review by Peter Fuller; March 1980
  • Arts Magazine, review by Alan Wallach; February 1980
  • Artweek, review by Ruth Weisberg; December 8, 1979
  • The New York Times, review by Hilton Kramer; November 30, 1979
  • Maine Times, review by Charles Stanley; August 26, 1977
  • Portland Press Herald, review by Patricia McGraw Anderson; August 22, 1977
  • The Figurative Tradition, Nine Artists and their Prints, Philip Verre, Williamstown MA, ©1976, exhibition March 1976
  • Portland Press Herald, review by Philip Isaacson; 1976
  • Maine Sunday Telegram, review by Philip Isaacson; April 4, 1976
  • The Christian Science Monitor, review by Judy Van der Veer; January 20, 1975
  • The New Humanism, Art in a Time of Change by Barry Schwartz, 1974
  • Cleveland Plain Dealer, review by Helen B. Cullinan; September 16, 1973
  • Maine Sunday Telegram, review by Philip Isaacson; 1972
  • The New York Times, review by John Canaday; January 15, 1972
  • Princeton Alumni Weekly; April 27, 1971
  • Maine Sunday Telegram, reviews by Philip Isaacson; July 7 and 27, 1969
  • St. Petersburg Times, review by Charles Benbow; April 7, 1969
  • Portland Press Herald, review by Philip Isaacson; 1968
  • Nashville Banner; November 17, 1967
  • London Times Literary Supplement, review; March 31, 1966
  • New York Times, review by John Canaday; January 3, 1966
  • Art in America, review by Cleve Gray; October-November, 1965
  • Forum, San Francisco; April, 1965
  • Los Angeles Times, review by Henry Seldis; February, 1965
  • New York Times, review by John Canaday; July 12, 1964
  • Spectrum, University of California; Spring 1964
  • Los Angeles Times, review by Henry Seldis; Spring 1962
  • Art in American, “New Talent, U.S.A.”; 1961