Interview by UK graduate student for thesis Interviewer Name Unknown. 1980s 1. I am particularly interested in your work which shows a classical sensibility. Do you desire to restore or to breathe life on ancient myth? 2. Is mythology used as a pretext for painting...
The Manead Etchings, by Rose Marie Frick, Frick Gallery, 1990 Thomas Cornell’s meditation on Dionysos reflects his concern for the relationship between humanity and nature, including a response to feminism. The maneads were associates of Dionysos, women who left their...
Dionysian Classicism – Propositions Statement for 1989 One-person exhibition, Gil Einstein Company, NYC Recently I returned from Moscow after participating in the exhibition Painting Beyond the Death of Painting, curated by Donald Kuspit. My experience of...
